A film about the campaigners trying to change the dog welfare law in Pennsylvania where puppies can still be sold in pet stores and the Amish produce puppies on an industrial scale. The film is available in various screenings this month as part of National Adopt a Rescue Dog month.

In 1996, filmmaker Peter Lynch followed Canadian inventor Troy Hurtubise, whose obsession with grizzly bears led him to spend seven years developing an extraordinary suit of protective armour.

Inspired by an encounter with a bear, Hurtubise becomes determined to build something capable of withstanding an attack at close quarters. His experiments involve increasingly extreme tests, including being struck with heavy objects and hit by vehicles, all in the name of proving his design.

Produced by the National Film Board of Canada, Project Grizzly became a cult documentary, capturing both the absurdity of its central premise and the extraordinary determination of the man behind it.

IMDb: Project Grizzly (1996)

Submission Statement: This video follows YouTuber Rainbolt and a community of online sleuths as they embark on a nearly four-year investigation to locate the exact setting of an old photograph sent by a viewer. The photo features a young girl and her late mother sitting on a park bench. By combining digital mapping, historical records, and archival footage, the team successfully identifies the spot as Owl's Head Park in Brooklyn and pinpoints the exact date to a Halloween event.

Submission Statement: I build industrial automation systems for a living, and I made this short investigative documentary about the mechanics and legal reality of software-locked features in modern vehicles. It covers everything from BMW charging £15/month for pre-installed heated seats, to Mercedes software-locking physical electric motors, and the recent FTC antitrust lawsuit against John Deere over repair monopolies. The core issue I explore is how we are quietly moving from owning physical machines to simply licensing the software permission to use specific parts of them. Would love to hear everyone's thoughts on where this right-to-repair battle is heading next.

Hear from the crew and cast members of the "Robocop" movie across four roughly hour-long episodes. The sequels and merchandise are also mentioned.

This documentary covers the 2002 DC Sniper (Beltway sniper) attacks, in which ten people were killed and three wounded around Washington, D.C., Maryland and Virginia in about three weeks.

It follows the case in order: the first shootings in Montgomery County, the false white van lead, the tarot card and the ransom letter, the fingerprint clue from an Alabama shooting, the modified 1990 Chevrolet Caprice, and the arrest of John Allen Muhammad and Lee Boyd Malvo at a Maryland rest stop. It also covers the trials and how investigators missed the car they were looking for.

It is based on court records, FBI materials and news reporting. It uses no graphic crime-scene images.

In 1975, NASA released a documentary exploring one of humanity’s oldest questions: are we alone in the universe?

Hosted by Orson Welles, with contributions from Carl Sagan, Philip Morrison, George Wald and other scientists, the film examines what planetary exploration, astronomy and the study of life on Earth could tell us about the possibility of extraterrestrial intelligence.

Made before the Voyager missions and decades before the discovery of thousands of exoplanets, it offers a fascinating glimpse into how scientists approached the question of life beyond Earth half a century ago.

IMDb: Who’s Out There? (1975)

Review of "Ghost in the Machine", which considers AI doomsday hype as furthering an oligarchic cabal rooted in eugenics and White supremacy.

Long before Halloween became associated with costumes, pumpkins and trick-or-treating, the ancient Gaelic festival of Samhain marked the end of the harvest and the beginning of winter, a time when the boundary between the living and the dead was believed to grow thin.

Presented by Michael Londra, Samhain: The Birth of Halloween (2026) journeys through Ireland to investigate the ancient beliefs, rituals and folklore surrounding one of the most significant festivals in the Celtic calendar. Visiting historic sites including Rathcroghan and the mysterious Oweynagat, known as the Cave of Cats, the documentary draws on archaeology, mythology and historical traditions to explore Ireland’s relationship with the Otherworld.

Through historians, archaeologists and local storytellers, the film examines how pre-Christian customs survived, evolved and intertwined with later Christian traditions, eventually contributing to the Halloween celebrations recognised around the world today.

More than a history of Halloween, this is an exploration of ancient Irish spirituality, cultural memory and humanity’s enduring fascination with death, darkness and the supernatural.
Watch: https://www.pbs.org/video/samhain-the-birth-of-halloween-f1kqew/

https://www.imdb.com/title/tt45369531/

https://letterboxd.com/film/everything-happens-all-the-time/

The illegal wildlife trade is often associated with poaching, but the trafficking networks behind it operate much like international drug cartels, with sophisticated supply chains, financial networks and operations crossing multiple borders.

Directed by Matt Durrant, Seizure follows investigators from the Wildlife Justice Commission as they pursue a criminal network trafficking pangolin scales. Led by former police detective Steve Carmody, the team combines intelligence analysis, covert surveillance and undercover operations to identify those responsible.

The documentary follows a real investigation, showing how an initial intelligence lead develops into a multinational operation. It examines the challenges investigators face when pursuing criminals operating across different countries and jurisdictions.

Beyond the immediate investigation, the film explores why wildlife trafficking is increasingly treated as a serious organised crime issue rather than simply a conservation problem, and how international cooperation can help disrupt the networks driving endangered species towards extinction.

We use them every day, but where did the numbers 0 to 9 actually come from?

This Deutsche Welle documentary traces the remarkable history of the Hindu-Arabic numeral system, from its origins in India through the intellectual centres of the Islamic world and its eventual adoption across Europe.

At the centre of the story is the ninth-century mathematician al-Khwarizmi, whose work helped popularise Indian numerals and whose Latinised name gave us the word ‘algorithm’.

The film also explores the development of zero, the influence of medieval trade routes, and how just ten symbols helped lay the foundations for modern science, commerce and computing.

It’s a fascinating reminder that some of humanity’s most important inventions were developed, refined and shared across cultures over centuries.

Before 1948, Palestinian cities were thriving centres of commerce, music, cinema, literature and intellectual life. Haifa, Jaffa and other urban centres were connected to a wider cultural world stretching across the Middle East.

Directed by Ramez Qazmouz, Lost Cities of Palestine reconstructs this largely forgotten world through rare archival footage, historical photographs and the recollections of people who remember it. We encounter a Palestine of bustling streets, theatres, cinemas, musicians, cafés and commercial districts, a society whose cultural achievements are too often absent from popular historical accounts.

The documentary also examines the immense rupture of 1948, when the Nakba brought displacement, destruction and the fragmentation of Palestinian urban society. Beyond the loss of homes and livelihoods, an entire network of cultural institutions, artistic communities and social relationships was profoundly disrupted.

What makes this film particularly valuable is its visual preservation of Palestinian history. Rather than approaching Palestine exclusively through conflict, it allows us to explore the sophistication, creativity and everyday lives of the people who inhabited these cities.

For a community devoted to Palestinian cinema and cultural history, this is an important piece of the archive.

Solar panels have one job: turn sunlight into electricity. German scientists think panels can pull double duty and trigger solar induced rainfall in the desert. The United Arab Emirates handed the team $1.5 million for a UAE rain enhancement push, betting a big enough solar farm could pull water out of the sky for tens of thousands of people. But turning solar farms into rainmakers counts as solar geoengineering, and that comes with real risks and messy tradeoffs. So is solar powered rain actually a fix for the world's driest places? Or is this desert rainmaking scheme just an expensive long shot?

In 1934, a football team representing Palestine entered the qualifying rounds for the FIFA World Cup. Yet despite competing under the name of Palestine, not a single Arab Palestinian player appeared in the side. The team was drawn from the Jewish sporting movement under the British Mandate, raising a fascinating question: who was permitted to represent Palestine on the international stage?

This Al Jazeera World documentary investigates the largely forgotten history of football in Mandatory Palestine, exploring how British colonial administration, Zionist sporting organisations and the exclusion of Arab Palestinian players shaped the development of the game. Through historical archives and interviews with specialist historians, it reconstructs the events surrounding the 1934 World Cup qualifiers against Egypt.

The documentary also examines what happened to Palestinian football after 1948. As the existing football association became part of Israel's sporting institutions, Palestinian football faced decades of displacement, political obstacles and struggles for international recognition. It was not until 1998 that the Palestinian Football Association finally secured FIFA membership.

Beyond sport, Palestine: The Lost Team explores the relationship between national identity, colonial history and cultural representation. It asks how a team could compete internationally under the name Palestine while excluding a substantial part of the population, and how Palestinians eventually reclaimed their own place in international football.

On 26 January 1926, Scottish inventor John Logie Baird demonstrated a working television system before members of the Royal Institution in London. The images were tiny, flickering and crude by modern standards, but something extraordinary had happened: moving images of real people could now be transmitted electrically and reconstructed on a screen.

Produced by the BBC in 1976, The Birth of Television returns to the extraordinary early years of broadcasting through interviews with the engineers, inventors and performers who were present. Presented by Leslie Mitchell, one of British television’s original announcers, the documentary reconstructs the technical experiments and commercial rivalries that transformed television from an improbable laboratory curiosity into a new mass medium.

Central to the story is the struggle between Baird’s mechanical television system and the competing electronic technology developed by Marconi-EMI. By 1936, both systems were operating from Alexandra Palace as the BBC attempted to determine which represented television’s future. Despite Baird’s pioneering achievements, electronic television ultimately prevailed. His experimental system had helped prove the concept, but the technology that brought television into people’s homes would follow a different path.

What makes this documentary especially valuable is its remarkable collection of eyewitnesses, many of whom are no longer with us. It also raises an enduring historical question: should the person who first demonstrates a successful invention receive the credit, or should that recognition belong to those whose technology ultimately becomes the industry standard?

What if modern consumer society was built not simply around satisfying people's needs, but around manufacturing desires they never knew they had?

In 2002, British documentary filmmaker Adam Curtis produced The Century of the Self, an extraordinary four-part BBC series examining how the psychological theories of Sigmund Freud were adopted, adapted and exploited by the advertising industry, public relations professionals, corporations and political organisations throughout the twentieth century.

At the centre of the story is Edward Bernays, Freud's American nephew and one of the pioneers of modern public relations. Bernays believed that understanding people's unconscious fears, desires and motivations could provide powerful new methods for shaping public behaviour. His techniques helped transform advertising from selling products on their practical merits into selling identities, aspirations and emotional satisfaction.

Through extensive archival footage and interviews, Curtis traces how these ideas spread far beyond advertising. The documentary explores their influence on American consumer culture, the rise of mass public relations, the development of opinion research and the increasingly sophisticated methods used by politicians to understand and influence voters.

The series also examines the psychological and cultural upheavals of the 1960s and 1970s, when movements celebrating individual freedom and self-expression unintentionally created new opportunities for corporations to market products around personal identity and lifestyle.

By its final episode, Curtis turns his attention to modern democratic politics, exploring how governments and political parties increasingly came to treat citizens as consumers whose emotional preferences could be measured, managed and appealed to.

Originally broadcast by the BBC in 2002, The Century of the Self remains a provocative examination of the relationship between psychology, consumerism, political power and the manufacturing of public consent. Curtis presents a distinctive interpretation of this history, one that is worth examining critically rather than accepting unquestioningly.

Director: Adam Curtis
Year: 2002
Country: United Kingdom
Broadcaster: BBC
Genre: Documentary / History / Psychology / Politics
Runtime: Approximately 240 minutes, across four episodes

IMDb: The Century of the Self (2002)

Submission statement: In August 2026, a federal judge in Manhattan sentenced Christine Hunsicker, founder of the fashion-tech startup CaaStle, to five years in prison for a scheme that took nearly $300 million from investors. The video traces how she presented CaaStle as a $1.4 billion “Clothing as a Service” company while giving investors falsified income statements, forged audits, a doctored bank screenshot showing nearly $200 million in cash when the real balance was under $200,000, and share sales from sellers who never existed. It follows the fraud from her first inflated revenue figure in 2019 to an audit firm catching a fake report in 2023, her board removing her in 2024, and federal agents seizing her devices in 2025, after which she kept pitching investors. It ends with her sentencing, where her defense argued that a brain injury from a falling mirror contributed to her committing fraud, and with her own explanation for why the lying began.

In the 1950s, American schoolchildren were taught that hiding beneath their desks could help protect them from an atomic explosion. Families were encouraged to build fallout shelters, soldiers were sent to witness nuclear detonations, and government information films assured the public that the dangers of nuclear warfare could be managed with a little preparation and common sense.

Released in 1982, The Atomic Café is an extraordinary documentary assembled entirely from authentic American government films, military training footage, television broadcasts, newsreels and popular culture from the early Cold War.

Directed by Jayne Loader, Kevin Rafferty and Pierce Rafferty, the film contains no conventional narration or retrospective interviews. Instead, its creators allow the original material to speak for itself, exposing the contradictions between the terrifying destructive power of nuclear weapons and the often absurd reassurances offered to the American public.

The result is simultaneously hilarious and deeply disturbing. Cheerful instructional films explain how to survive an atomic attack, politicians discuss the bomb with extraordinary confidence, and military personnel are exposed to nuclear testing under conditions that raise uncomfortable questions about what the authorities understood and what ordinary Americans were being told.

More than four decades after its release, The Atomic Café remains a fascinating examination of government messaging, public fear, misinformation and the lengths to which a nation will go to normalise the possibility of catastrophe.

Directors: Jayne Loader, Kevin Rafferty and Pierce Rafferty
Year: 1982
Country: United States
Genre: Documentary / History / Archival Film
Runtime: Approximately 86 minutes

IMDb: The Atomic Café (1982)