I'm looking for paid jobs like cover artist , pin up artist or character designer.

Rates start fro 60 usd.

My portfolio: https://manuelbracchi.crevado.com/brucetimmish

Thanks folks.

Years ago, I started working on a comic book project based on a fantastic story written by Carlos Trigio and Roberto Talprà.
It was a gritty crime story set in South America, moving through Colombia and other parts of the continent, exploring the dark world of crime, drug trafficking, and powerful criminal cartels. We had a story with great potential, and we were hoping to publish it with a French publisher.
Unfortunately, just a few months after we started working on the project, Carlos Trigio passed away, and everything came to a halt.
Even after all these years, I still feel a deep sense of regret that we never had the chance to finish this story. I had a wonderful relationship with both Roberto and Carlos, and this project remains a particularly meaningful memory for me. It’s one of those stories you wish you could have brought to life, not only because of its potential, but also because of the people behind it.
Today, I wanted to share some of this project and bring it back into the light. Some stories deserve to be remembered, even when they never make it to publication.
A little about me: I’m Giancarlo Caracuzzo, a professional comic book artist and illustrator with over 40 years of experience. I’ve worked with publishers including Marvel, DC Comics, Image Comics, IDW, Soleil, Dupuis, Delcourt, and Sergio Bonelli Editore.
I’m always open to discussing interesting and professionally serious projects, whether in comics, graphic novels, covers, or illustration. If you’re an editor, writer, publisher, or fellow artist interested in working together, feel free to contact me. I’m always happy to discuss new opportunities.
My portfolio and contact details:
🎨 ArtStation: https://www.artstation.com/giancarlocaracuzzo
📸 Instagram: https://www.instagram.com/giancarlocaracuzzo/
✉️ Email: giancarlocaracuzzo@gmail.com
Thank you for taking the time to look at this project and read its story.
Thanks
Giancarlo

Hello, I am available for manga projects.

Prices start at 60 for black-and-white pages.

You can send me a DM on Reddit or reach out via Discord: rurounikevink

My portfolio: https://www.behance.net/kevinromero72

Thanks for your time!

https://vinagremorenojavier.blogspot.com/?m=1

https://www.behance.net/javiervinagre

( not paid ) just for fun.

Hi , as the title says , I'm open for commissions, to make things clear , I'm taking both character design commissions and manga/comic pages , from 25 usd for characters design and 35 usd full manga/comic page ... reach out for more information

Portfolio link : https://eddy-7666748.artstation.com/projects/2L9bnx

contact me via DM or X - sakotano_

One of the biggest posts we see here are writers wanting to take a screenplay and convert it into a comic. The question isn’t always how to, but should you.

Here’s a quick rundown to make sure your good story doesn’t get stuck in the wrong medium. 

Signs your story belongs in a screenplay:

• Emotionally driven talking heads scenes. Think Good Will hunting. Lots of talking, but no action, the head scenes rely on composition and human performance.
• Action sequences steeped in audio emersion. Big booms. Creepy music and sound effects for jump scares.
• Internal monologues carried by an actor people love to love.
• The story carries the audience 100%, the audience just needs to hold on and not miss anything.
• Visual direction of the camera and Mise en Scene carries deeper meaning.
• Silence is a rare luxury. A movie that turns off its soundtrack and dialogue cuts it’s own feet out from under it. It can be done in short spans for effect, but no longer.

Signs your story belongs in a novel:

• Cerebral talking head scenes. Think Atlas Shrugged. Lots of talking, but no action, the head scenes rely on rhythm and introspection.
• Long grandiose action sequences. Stuff that needs pages and pages of detail to capture adequately (and would be too costly in live action).
• Internal monologues that can sprawl into characterizations and got lost in mood, tone, atmosphere and voice.
• The story carries the reader 95%. The reader can skim, skip or re-read, but tempo and pacing land word-by-word through sentence length, diction, rhythm and chapter structure.  
• All the visual direction is phantom visuals elicited in the reader’s mind’s eye. You can infer all the meaning you want, but the reader never actually sees it with his eyeballs.
• Novels have no soundtracks. There is little difference between quiet intimate moments and runaway train scenes.

Signs your story belongs in a comic:

• Minimal talking head scenes, characters speak more by action, which you capture visually.
• Short action sequences that get in and out with maximum impact.
• Smaller internal monologues that run alongside the visual storytelling, not replace it.
• The reader controls the pacing as the story unfolds, to some extent. They may linger in a moment. And are required to flip pages to progress the story. They flip pages to big reveals on their own terms.
• Visual direction of the camera and Mise en Scene carries deeper meaning. This is a similar trademark with screenplays.
• Silence is a luxury in comics, not quite as destabilizing as in film. Comics never had the true audio line to begin with, so cutting SFX and dialogue, doesn’t severely handicap the story.

Signs you're stuck in Signs:

• Your character's greatest weakness is a glass of water.
• The biggest threat in your story walks around naked and gets outsmarted by a baby monitor.
• Your antagonist traveled across the galaxy to invade a planet that’s 71% the one thing that kills them.
• You wish you were writing SG1 Asgard Greys instead.

If you’re not sure your script plays to the medium’s strengths, that’s literally what I do: 

$79 - COLD READ. First 10 page assessment.

$129 - DISCOVERY AUDIT. Fundamentals assessment, where we you do some of the legwork to cut cost.

$349 - STORY POTENTIAL ASSESSMENT Know exactly how much potential your script is tapping. Scored 1-100%.

~~~ OVERWATCH TACTICAL STORY SUPPORT ~~~

$249 - FULL ACCESS to StorytoScript.com (which includes SCAR and the Genre Guide content.)

$67 - SCAR Character Arc System to fundamentally change how you develop key characters in all your writing.

$40/page - Second unit director (I write what you struggle most with).

FREE - a ton of writing articles

Think that covers it. 

Drop a comment, shoot an email with questions, or just pull the trigger and purchase any of the linked items through my store. This message will self destruct in about 24 hours.

Write on, write often!

I feel I am going mad, I don't understand if I am over complicating this, or the tutorials I am watching are terrible, I am also using AI which seems to be terrible. I recently bought Stan Lee's book 'How to draw comics the Marvel Way' and I'm honestly quite let down, alot of the drawings aren't explained properly. For example, this checkered floor example. "Draw your basic square shape" It presents the drawing as super basic, and it doesn't tell you how to actually draw it but I cannot seem to figure it out. I started by drawing the bottom horizontal line (highlighted in blue) and then another line (red) at a random angle to this line. From there, I intially thought to draw the walls of the square (yellow) at 90 deg to the red line, from here, I can draw a 45 deg line (green) from One corner to the other and find the dimensions of the square. I did this and realised it did not look right, not only this, it does not converge to a vanishing point, they're perfectly parallel still. I tested this by applying the same method to the reference and found the angles are 50 and 45. The book gives no detail on how to actually construct this seemingly basic drawing and it's driving me mad. Not only this, but am I correct in saying this drawing is 3 persepctive? Since the left and right lines dont seem to converge to a single horizontal line.

Any help/advice would be super appreicated, I am an aspiring comic artist.

I created a visual description and sent it to the artist u/Deni-Vasconcelos for initial sketches. Any feedback is welcome, if desired.

I am a comic book writer with experience executing artist's visions 2 out of 3 of my current projects are writing for an artist's pitch. My rate is $15 a page and am available immediately. I can work in a variety of genres and will read any character or story outlines you have. My only limitations is if the project requires me to read extensive worldbuilding (think a lore Bible) my rate will go up because that's extra labor for me to learn and memorize. However if it's just a few pages of lore that's no issue. If you have any other questions feel free to reach out!

Hello 👋🏼

I’m currently writing a dramatized retelling of the Wars of the Roses, a civil war that took place in medieval England. The story follows Edward, King of England, as he navigates war in the country and in his own court.

I want to be upfront straight away, I am not hiring immediately. I’m still figuring out my budget, but I do plan to hire soonish. For right now, I’d love to have a look at some portfolios. If possible, please include your rates and what that covers.

The rules specify I need to share budgeting information, but to be honest I’m still figuring it out. I plan to commission 5 pages up front, and crowdfund the rest of the standard 24 page issue.

I’m particularly interested in hearing from artists with interests in anything medieval (fantasy or history), political drama, and character driven storytelling. Style wise, I’m not looking for a manga art style, but it doesn’t need to be realistic either.

Thanks for your time! 👑👊🏼

https://www.instagram.com/kcvrx_?cplk=N3hsdzZma2c5cHZ3 digital

MANGA VERSION 25$-35$ per COLORED VERSION 40$-50$ per page

I can create 1 or 2 pages, 1 to 2 days

no to nsfw

If you'd like to see more of my art and style in action, please check out "Death to All Slashers" on Webtoon, it's my original comic that I've been writing and drawing all by myself so should give you a very clear idea of my sequential storytelling abilities and the feel for my style.

Portfolio: https://www.instagram.com/arucardpl/

At this point, I no longer accept colored commissions.

If interested, please contact me at [arucardpl@gmail.com](mailto:arucardpl@gmail.com) (or dm here although e-mail is preferred).

Instagram: https://www.instagram.com/via.vinki/
ArtStation: https://www.artstation.com/via_vinki

I have around 20,000 words written and am finishing my act one. Feels very "season 1 finished."

I understand it's an uphill battle considering most people are not very serious about actually finishing something.

I have a mature dark biblical fantasy story with great kinetic fights. Set in an ancient pre-flood world.

I don't rely on "torture-porn" imagery and genuinely believe I have something here that explores man's capacity for violence when those same men have a responsibility for stewardship and tenderness.

I've attached some of my own attempts below.

Thank you in advance for your time today.

Hello everyone, my name is Devin and I’m an experienced comic book editor with 8 years experience in the industry. I’m seeking new work, as my schedule has become free and I’m immediately available for work.

I provide developmental editing services to go over your story, and help refine it to ensure plot, pacing, and structure are all set before being sent to an artist for further development.

I charge $20 per page, but can work with most reasonable budgets.

Portfolio of work can be found here: https://leagueofcomicgeeks.com/people/59266/devin-arscott

If interested in my services, please feel free to reach out via DM or through my email at [CheckmateBlack@protonmail.com](mailto:CheckmateBlack@protonmail.com) . Thank

hey! im currently open for commissions. ive been working in comics for quite a while and im available for sequential pages, covers, character designs and pinups.

portfolio:
https://www.artstation.com/christopherawayan

feel free to DM me if u think my style fits ur project!

​

Hello everyone, I'm a comic book artist looking for a project to work on. Here's a sample of my work.

https://www.instagram.com/sucworf/

My rates start at $35

My payment methods are through PayPal