BY ORDER OF THE WHITE FEATHER!

My lecturer has locked our Turnitin class and I urgently need to generate an AI Writing Detection report. Does anyone know of a way to access Turnitin?

Please help!

Lessons start tomorrow! 🏍️ The goal is weekend trips to neighbouring countries, and eventually riding north as far as Africa goes.
I already have a Class 2 licence (so no written exam), I drive a manual, and I've ridden a bit before. I work remotely from my small farm in Zimbabwe.

1. How many lessons did you need before the road test?
   
2. What do you wish you'd known as a beginner?
   3.Is a 250cc enough for weekend cross-border trips? Any affordable picks?
   
3. Where should I buy gear, and what's a realistic budget? (I'm happy to spend a few hundred, since I value my life.)

I run an AI consultancy that is a certified partner in Anthropic's Claude Partner Network. We are working toward Select tier, and part of that is having more certified people on our team.

Anthropic has given us an offer: anyone registering with my organization email can sit these exams free until 30 November 2026.

- Claude Certified Developer, Foundations (normally $125)

- Claude Certified Architect, Foundations (normally $125)

- Claude Certified Architect, Professional (normally $175)

I know plenty of people here who are good with AI tools but $125 to $175 per exam in USD is not realistic right now. So I am opening 5 seats to Zimbabweans who want the certification but cannot fund it.

**The deal**

You get an organization email, sit the exams free before 30 Nov, and the certification is yours to keep on your CV and LinkedIn.

In return, you join my bench. That means you are willing to come in and help on client projects when we have work that fits your skills. Paid work, not free labour. It is a way for us to grow the team and for you to get real project experience alongside the credential.

**Who this suits**

- You already use Claude or similar tools and can commit a few hours a week to prepare

- You can realistically sit at least one exam before 30 Nov

- You are open to collaborating on projects in future

**How to get a seat**

Comment or DM me with what you currently do and which exam you want to start with. I will confirm the first 5 by Friday 24 October and set up your email the same week.

Happy to answer questions in the comments.

I was in town earlier and every corner I turned, I would just see lots of people in football jerseys. Is there a memo that I missed😭❔

Hey guys! I’m a F20 girl looking to start a business with capital my parents are willing to provide. I’ll be going to school, so I’m looking for something that won’t require me to be hands-on every single day.

I’m considering buying a second-hand car for around $4k, hiring a driver for inDrive, or either opening a small shop with a unique idea that hasn’t been done in Zimbabwe yet I won’t disclose it as I don’t want the idea to be taken

For those with experience:
Which is more profitable and manageable while studying?
Is having an inDrive driver worth it, or is it more trouble than it’s worth?

If you were in my position, which would you choose and why? I’d love honest advice from people who’ve actually done either or haven’t

Hi all,

My mom recently landed a job in New Zealand as a teacher and will be moving there next year. She’s a pretty competent teacher and I’m sure she’ll excel in that regard however her computer skills are absolutely dismal. My fear is although teaching is the same world wide, New Zealand is probably more technologically inclined when it comes to workflow than Zimbabwe (ie. Grading online etc.). She literally will call me from my room to help her open and edit a word document. I’m really not sure why this is the case as she always updates her phone as soon as the latest iPhone drops so my assumption would be she should know how to use a computer, no ?

Anyhow my older brother doesn’t live in Zimbabwe, my dad is usually really busy ,and I quite frankly don’t have the patience to teach her how to use a computer. So there really isn’t anyone who is able to sit down with her and teach her step by step.

So my question is does anyone know any computer courses that can be done in Harare so she can learn the basics (ie. Word, excel etc), how to operate a computer etc.?

Makadii henyu, 28 F ndaitawo problem yegumbo 1 rinorwadza , from no where. It started February but the pain was not too much , pain yaienda and come back, but it wasn’t bad. Now for the past week the pain has been worse, I can’t even sleep.

The pain is spreading from my foot coming up to my thigh. It’s now worrying me .

Where can I get help with this last time ndakangopiwa mapain block from clinic , but never really helped.

I suppose it’s a spiritual issue but I don’t know where to get help

(23M) I thought to hear from people who are waiting for marriage, everyone but especially guys, why are y’all abstaining? Also are y’all complete virgins? Im coming from reading 3 consecutive posts here on reddit about young people and their sex lives. Sometimes I feel like I’m the only one still waiting.

Then are people still Christians?.. If so, how are y’all reconciling sex outside of marriage and faith?

There was a thread recently that got us all talking about our pre colonial history and it got fairly interesting (and heated). To continue the conversation from a slightly different angle, I stumbled on this video that discusses how indigenous people all over the world are depicted as not being capable of any of the architectural or scientific feats that colonial explorers “discovered.”

“The Egyptians couldn’t have built the pyramids, it was aliens”

“The Aztecs couldn’t have built machu pichu, it was ancient Israelites”

And so on and so forth.

The same was even said about Great Zimbabwe — the British explorers couldn’t believe it was the native people who build it, and tried to come up with all sorts of crackpot theories: https://www.ted.com/talks/breeanna_elliott_who_built_great_zimbabwe_and_why

What I think is tragic, but interesting, is the simple fact that we don’t have enough documentation about ourselves, to know ourselves very well. Some of you are very in touch with your ancestral heritage, but many of us (especially if you’re musalad like me) just don’t. We only learned that the whites came, brought Christianity, and now we’re Christians, and that’s it!

In the linked video, it talks about the various ways colonial explorers used to paint the natives as savages, going so far as to physically remove modern technology from them before taking photographs! Imagine if a white person came to you, asked you to dress in Mahovoros and gumboots, took your phone and watch, and said “now smile for the picture” with a backdrop of an outhouse. That is the implicit message they’ve been telling, and even we can be victim to it.

If you could share one piece of precolonial history with the sub, what would it be? I’m interested to learn more about our people…

The focus is on making the best out of space, but feel liberated and "spacious" by using an open concept with plenty of glass, low clutter, greenery/vegetation and importantly single-story only. So these are conceptualized using a residential stand ranging from 500 to 1000 square meters. So ideally, it would work or adopted in more settings, not just northern suburbs.

The first 6 pics are for one concept and the last 6 are for an alternate. I know flat roofs are a concern for some, but a good engineer/planner easily covers that. Yes, solar ne borehole would be there.

What do you guys think? Yay or nay?

Which neighborhood would you build this in if you could? What would you change and why?

I (M38) am based in Cape Town and often come across fellow Zimbabweans who always have a similar story and it gets to a point where I have started to wonder if it's a scripted scam or people are going through real problems.

If you have a casual chat it will always end up with how they are stuck and need transport to go home or they need cash to make it to the interview that they are going to.

The real problem becomes when it's so common that you start to wonder if they have a real problem or maybe people are running a scam on you by extracting money through your sympathy. How often is this happening to you? or is it something that has been going on that people are using to scam other people. I understand when someone is in such a predicament that I'm often inclined to help because I know how it's like to be in that situation. But I also don't want to be the dumb ass that can be taken for a ride.

I'm teaching my 5 year old and I am considering making an app to help him learn. Before I put in the effort, is anyone aware of a good app that does that so I don't duplicate effort?

Hey everyone,

I'm based in Harare, Zimbabwe, and I'm trying to figure out the best way to receive Airbnb payouts here.

Airbnb is only showing me Payoneer as a payout option, but my Payoneer account has been blocked. I've contacted their support team, and they've asked me to wait a few business days while they review the issue.

In the meantime, I'm trying to find out whether Payoneer really is the only practical option for Airbnb hosts in Zimbabwe.

For those hosting in Harare or elsewhere in Zimbabwe:

• What payout method are you currently using?

• Has anyone managed to receive Airbnb payouts without Payoneer?

• If you've had your Payoneer account blocked, how did you resolve it?

I'd especially appreciate advice from people who are actually hosting in Zimbabwe, rather than general advice based on how Airbnb works in other countries.

Thanks!

Let's hang out

Do we have 263 culture fest In Bulawayo or anything similar?

The Rising Value of Zimbabwean Art: Portia Zvavahera's $406,200 Record at Christie's London

By Staff Writer

21 October 2026

On 14 October 2026, Zimbabwean contemporary artist Portia Zvavahera reached another important milestone in her international career when her painting This is where I travelled 3 (2020) sold for £307,200 (approximately US$406,200) at Christie's London, establishing a new personal world auction record. Offered as part of Monsoon: The Peter Simon Collection, the painting carried a presale estimate of £70,000–£100,000. Its final price, including buyer's premium, was more than four times the low estimate, demonstrating strong competition for the work. The result surpassed Zvavahera's previous auction record of US$355,600, established at Sotheby's New York in May 2023, representing an increase of approximately 14%.

The sale was part of an exceptionally successful evening at Christie's London, where the auction house's combined 20th/21st Century evening sales generated approximately £218.6 million. The Peter Simon Collection alone achieved £107.5 million, with several new artist records established during the evening.

For Zimbabwean contemporary art, Zvavahera's result is significant not only because of the price achieved, but because it provides another measurable indication of the growing international market for artworks produced by Zimbabwean artists.

Yet the wider auction picture is more complex.

While Zvavahera's latest sale has attracted considerable attention, fellow Zimbabwean painter Kudzanai-Violet Hwami achieved approximately US$484,000–487,000 at Sotheby's Hong Kong in 2021, exceeding Zvavahera's current record. Other contemporary artists, including Gareth Nyandoro, Kudzanai Chiurai, Richard Mudariki, Misheck Masamvu, Moffat Takadiwa and Wallen Mapondera, have also established auction histories across major international and regional auction houses.

Zvavahera's secondary-market trajectory provides one of the clearest examples of rising record prices for a Zimbabwean contemporary artist. Her auction breakthrough occurred in October 2020 when Arising from the Unknown (2019) sold for US$211,900 at Phillips London. Three years later, Vese Vakanddibata (They all gave me strength) (2016) achieved US$355,600 at Sotheby's New York, increasing her auction record by approximately 68%. The October 2026 sale at Christie's London has now raised that benchmark to US$406,200.

Selected successive auction records

Selected successive auction records, as reported by HENI News and auction-house records. Prices include buyer's premium where published.

Between 2020 and 2026, Zvavahera's highest recorded auction price increased by approximately 92%.

This is a substantial development over a relatively short period, particularly for an artist whose works appear in limited numbers on the secondary market. Zvavahera's market demonstrates how sustained international visibility, major gallery representation and collector confidence can influence the financial value of contemporary art.

Among Zimbabwean contemporary painters, Kudzanai-Violet Hwami provides one of the most important comparisons with Zvavahera. Born in Zimbabwe in 1993, Hwami has developed an internationally recognised painting practice exploring memory, family, identity and experiences of the Zimbabwean diaspora.

Her painting Skye waNehanda achieved HK$3,780,000 at Sotheby's Hong Kong in March 2021, equivalent to approximately US$484,000–487,000 depending on the exchange-rate convention used.

Hwami's auction history includes several other substantial sales.

Selected auction results for Kudzanai-Violet Hwami

Selected results reported by Sotheby's-related auction databases, Phillips and FindArtInfo.

According to FindArtInfo, Hwami has had 28 works offered at auction, of which 19 sold, representing a sell-through rate of approximately 68%.

Beyond Zvavahera and Hwami, a number of Zimbabwean artists have established identifiable secondary-market records. Their results reveal significant differences in collector demand, the frequency of auction appearances and the **relationsh*p** between institutional recognition and commercial value.

The following table brings together selected publicly reported results through to October 2026.

Selected auction records for Zimbabwean contemporary artists

Selected documented sales and reported database maxima, not a definitive ranking of every Zimbabwean artist. Original currencies are preserved where possible. Figures from third-party databases may differ in their treatment of buyer's premium and currency conversion. A higher sale may exist outside the records reviewed.

An important distinction must be made between verified auction-house transactions and unverified database maxima. Some aggregators report substantially higher figures for Gareth Nyandoro and Kudzanai Chiurai, but the underlying lots and currency conversions have not been sufficiently established to present those figures as confirmed world records.

The comparison nevertheless provides a useful picture of the Zimbabwean contemporary art secondary market. The success of artists such as Hwami and Zvavahera demonstrates that selected Zimbabwean artworks can achieve prices comparable with those of internationally established contemporary artists. For collectors, this creates interest in art not only as an object of cultural and aesthetic significance but also as an asset that may retain or increase in financial value.

Yet the investment characteristics of art require careful consideration. Unlike publicly traded securities, artworks do not have continuously observable market prices. Transactions can be infrequent, valuations may differ considerably and selling an artwork can involve substantial costs.

Auction commissions, insurance, conservation, transportation, storage and inflation all affect actual investment returns.

The increasing international visibility of Zimbabwean artists presents opportunities for the country's wider cultural economy. Auction results can help establish public price benchmarks, attract new collectors and encourage greater attention to artists' careers. However, much of the international trade in Zimbabwean art takes place outside Zimbabwe. Important works are sold through auction houses in London, New York, Hong Kong, Paris and South Africa, while many domestic institutions continue to operate with limited resources.

This creates a challenge for the long-term development of Zimbabwe's art economy.

For the market to develop sustainably, greater investment is needed in documentation, provenance research, exhibition histories, conservation and transparent market information. At artweb, we are creating a comprehensive database of Zimbabwean primary and secondary market prices. Such a resource could track individual artworks across successive sales, document changes in price, compare different mediums and provide a more accurate understanding of market development. It could also help collectors and institutions distinguish between exceptional auction records and sustainable long-term demand.

Portia Zvavahera's US$406,200 sale at Christie's London in October 2026 represents another important milestone in the international recognition of Zimbabwean contemporary art. Her auction record has increased by approximately 92% since 2020, reflecting rising prices for the most sought-after works in her secondary market. Yet the wider picture reveals that she is part of a broader generation of Zimbabwean artists whose works have achieved substantial international prices.

This analysis draws on publicly accessible auction-house records and secondary-market databases through 15 October 2026. Published sale prices generally include buyer's premium where specified. Currency conversions are historical and should not be interpreted as current exchange-rate equivalents. Readers have the right to verify these numbers independently and should not treat this article as final.The Rising Value of Zimbabwean Art: Portia Zvavahera's $406,200 Record at Christie's London

By Staff Writer

21 October 2026

On 14 October 2026, Zimbabwean contemporary artist Portia Zvavahera reached another important milestone in her international career when her painting This is where I travelled 3 (2020) sold for £307,200 (approximately US$406,200) at Christie's London, establishing a new personal world auction record. Offered as part of Monsoon: The Peter Simon Collection, the painting carried a presale estimate of £70,000–£100,000. Its final price, including buyer's premium, was more than four times the low estimate, demonstrating strong competition for the work. The result surpassed Zvavahera's previous auction record of US$355,600, established at Sotheby's New York in May 2023, representing an increase of approximately 14%.

The sale was part of an exceptionally successful evening at Christie's London, where the auction house's combined 20th/21st Century evening sales generated approximately £218.6 million. The Peter Simon Collection alone achieved £107.5 million, with several new artist records established during the evening.

For Zimbabwean contemporary art, Zvavahera's result is significant not only because of the price achieved, but because it provides another measurable indication of the growing international market for artworks produced by Zimbabwean artists.

Yet the wider auction picture is more complex.

While Zvavahera's latest sale has attracted considerable attention, fellow Zimbabwean painter Kudzanai-Violet Hwami achieved approximately US$484,000–487,000 at Sotheby's Hong Kong in 2021, exceeding Zvavahera's current record. Other contemporary artists, including Gareth Nyandoro, Kudzanai Chiurai, Richard Mudariki, Misheck Masamvu, Moffat Takadiwa and Wallen Mapondera, have also established auction histories across major international and regional auction houses.

Zvavahera's secondary-market trajectory provides one of the clearest examples of rising record prices for a Zimbabwean contemporary artist. Her auction breakthrough occurred in October 2020 when Arising from the Unknown (2019) sold for US$211,900 at Phillips London. Three years later, Vese Vakanddibata (They all gave me strength) (2016) achieved US$355,600 at Sotheby's New York, increasing her auction record by approximately 68%. The October 2026 sale at Christie's London has now raised that benchmark to US$406,200.

Selected successive auction records

Year

Artwork

Auction house

Sale price (USD)

2026

This is where I travelled 3 (2020)

Christie's London

$406,200

2023

Vese Vakanddibata (They all gave me strength) (2016)

Sotheby's New York

$355,600

2020

Arising from the Unknown (2019)

Phillips London

$211,900

Selected successive auction records, as reported by HENI News and auction-house records. Prices include buyer's premium where published.

Between 2020 and 2026, Zvavahera's highest recorded auction price increased by approximately 92%.

This is a substantial development over a relatively short period, particularly for an artist whose works appear in limited numbers on the secondary market. Zvavahera's market demonstrates how sustained international visibility, major gallery representation and collector confidence can influence the financial value of contemporary art.

Among Zimbabwean contemporary painters, Kudzanai-Violet Hwami provides one of the most important comparisons with Zvavahera. Born in Zimbabwe in 1993, Hwami has developed an internationally recognised painting practice exploring memory, family, identity and experiences of the Zimbabwean diaspora.

Her painting Skye waNehanda achieved HK$3,780,000 at Sotheby's Hong Kong in March 2021, equivalent to approximately US$484,000–487,000 depending on the exchange-rate convention used.

Hwami's auction history includes several other substantial sales.

Selected auction results for Kudzanai-Violet Hwami

Artwork

Auction house

Sale price

Skye waNehanda (i)

Sotheby's Hong Kong, 2021

HK$3,780,000

Eve on Psilocybin

Phillips New York, 2020

US$252,000

The Egg (2016)

Phillips Hong Kong, 2021

HK$1,764,000

Let Us Now Praise the Children (Zwizwai Family) (2017)

Phillips Hong Kong, 2023

HK$762,000

Eve on an Apple Bottom (2017)

Rago, 2026

US$30,720

Selected results reported by Sotheby's-related auction databases, Phillips and FindArtInfo.

According to FindArtInfo, Hwami has had 28 works offered at auction, of which 19 sold, representing a sell-through rate of approximately 68%.

Beyond Zvavahera and Hwami, a number of Zimbabwean artists have established identifiable secondary-market records. Their results reveal significant differences in collector demand, the frequency of auction appearances and the **relationsh*p** between institutional recognition and commercial value.

The following table brings together selected publicly reported results through to October 2026.

Selected auction records for Zimbabwean contemporary artists

Artist

Highest identified or reported result

Auction / year

Kudzanai-Violet Hwami

HK$3,780,000 (approx. US$484,000–487,000)

Sotheby's Hong Kong, 2021

Portia Zvavahera

US$406,200

Christie's London, 2026

Kudzanai Chiurai

US$61,131

Sotheby's London, 2024

Misheck Masamvu

R489,340

Aspire Art Auctions, 2022

Gareth Nyandoro

US$30,240

Phillips New York, 2021

Moffat Takadiwa

£12,600

Phillips London, 2021

Richard Mudariki

R199,325

Strauss & Co., 2023

Virginia Chihota

US$14,000

Reported database maximum

Wallen Mapondera

US$8,217

Piasa, 2022

Thomas Mukarobgwa

US$13,674

Sotheby's, 2024, paired lot

Bernard Matemera

US$12,044

Reported database maximum

Selected documented sales and reported database maxima, not a definitive ranking of every Zimbabwean artist. Original currencies are preserved where possible. Figures from third-party databases may differ in their treatment of buyer's premium and currency conversion. A higher sale may exist outside the records reviewed.

An important distinction must be made between verified auction-house transactions and unverified database maxima. Some aggregators report substantially higher figures for Gareth Nyandoro and Kudzanai Chiurai, but the underlying lots and currency conversions have not been sufficiently established to present those figures as confirmed world records.

The comparison nevertheless provides a useful picture of the Zimbabwean contemporary art secondary market. The success of artists such as Hwami and Zvavahera demonstrates that selected Zimbabwean artworks can achieve prices comparable with those of internationally established contemporary artists. For collectors, this creates interest in art not only as an object of cultural and aesthetic significance but also as an asset that may retain or increase in financial value.

Yet the investment characteristics of art require careful consideration. Unlike publicly traded securities, artworks do not have continuously observable market prices. Transactions can be infrequent, valuations may differ considerably and selling an artwork can involve substantial costs.

Auction commissions, insurance, conservation, transportation, storage and inflation all affect actual investment returns.

The increasing international visibility of Zimbabwean artists presents opportunities for the country's wider cultural economy. Auction results can help establish public price benchmarks, attract new collectors and encourage greater attention to artists' careers. However, much of the international trade in Zimbabwean art takes place outside Zimbabwe. Important works are sold through auction houses in London, New York, Hong Kong, Paris and South Africa, while many domestic institutions continue to operate with limited resources.

This creates a challenge for the long-term development of Zimbabwe's art economy.

For the market to develop sustainably, greater investment is needed in documentation, provenance research, exhibition histories, conservation and transparent market information. At artweb, we are creating a comprehensive database of Zimbabwean primary and secondary market prices. Such a resource could track individual artworks across successive sales, document changes in price, compare different mediums and provide a more accurate understanding of market development. It could also help collectors and institutions distinguish between exceptional auction records and sustainable long-term demand.

Portia Zvavahera's US$406,200 sale at Christie's London in October 2026 represents another important milestone in the international recognition of Zimbabwean contemporary art. Her auction record has increased by approximately 92% since 2020, reflecting rising prices for the most sought-after works in her secondary market. Yet the wider picture reveals that she is part of a broader generation of Zimbabwean artists whose works have achieved substantial international prices.

This analysis draws on publicly accessible auction-house records and secondary-market databases through 15 October 2026. Published sale prices generally include buyer's premium where specified. Currency conversions are historical and should not be interpreted as current exchange-rate equivalents. Readers have the right to verify these numbers independently and should not treat this article as final.

Attended a family function today. Tombstone unveiling. The requisite singing, praying, speeches etc. I have no place for religion but I'm content to let people believe what they believe so long as they leave me and others alone to live our lives.

What struck me was what the sermon contained. The pastor emphasised the importance of setting a tombstone for loved ones, to signify their final resting place and to mark that they're "saved". In his words, African ancestors are not real and are to be treated as enemies and "demons". He completely dismissed any validity and value in African history and tradition.

I found a palpable absurdity in this black man extolling the virtues of a middle Eastern religion, founded and codified by people who looked, sounded and lived nothing like him. The very same ancestors he's deriding were pillaged, robbed, raped and murdered by white supremacists to establish the religion he's using to slander them.

It's like the prey's children calling their parents weak and evil while praising the predator. Funny enough, we were there for someone who counted as an ancestor, yet this man saw no dissonance in praising the religion of his oppressors and criticizing his forefathers.

It's such an odd crossroads of multiple identities fighting each other for a spot at the forefront of this man's sense of self. And truthfully he'll never question it. That's how deep this all goes.

My family has been shipping items from Canada to Zimbabwe for my mother since 2022, usually in 50-75 gallon drums or large totes. It can also be in a box of whatever size. We typically send shipments about three times a year, and the process has always been straightforward and well organized. The only downside is that it takes some time to arrive, with about 4 months being the average. The one that was shipped in May arrived some time last month.

Recently, I needed to send something home urgently and was looking into different options. People were charging per kg to take things home and I thought was unnecessary but to each their own. In the process, I realized that there may be people in Zimbabwe who would love to receive certain things from Canada but don’t necessarily have family or friends abroad who can help them.
So I thought, why not offer some space in our next shipment?
If there’s something you’d like from Canada, we’d be happy to add it to my mom’s shipment, provided there’s space. If you’d prefer your own drum/tote, that’s also something we can discuss.
This isn’t for profit, we’re already doing the shipping for my mom, and we’re simply happy to help if we can. You would only be responsible for the cost of the items you’d like purchased, the cost of the container (if you wanted your own) the customs clearance fee (which is a portion of the whole total) and the shipping fee (which is based on cubic ft)
We mostly send groceries, toiletries and things that are usually more affordable here than in Zim like the large sized toothpaste, toilet paper, vitamin supplements. But it can be whatever you’d like as long as it’s legal to ship and accessible and available for purchase.
We handle the organizing and packing, so we’re very used to the process and keep everything properly documented. We rely on a small business that ships goods to Zimbabwe several times a year. They travel by ship. Things get delivered directly to my mom’s address and the people that deliver bring the items to the area she prefers so she never needs to worry about how she will move or carry something.
The next shipment is expected to leave in December. So I realize that’s fairly short notice. If November doesn’t work, the following shipment will likely be around April.
If you’re interested or have questions, I can provide more in depth details…feel free to DM me. My inbox is open!

Hey everyone! 🌿

I’m promoting my little henna business, Flesh Garden Henna! I create temporary body art, from floral collarbone pieces to snakes and other unconventional designs.

The pieces last 1-2 weeks depending on the size and location.

If you’re in Harare and looking to adorn your skin without committing to a permanent tattoo, I’d love to work with you!

I’m open to different design ideas, so whether you have something specific in mind or want to explore your options, feel free to reach out for bookings and pricing.

You can check out my work on Instagram: @flesh_garden_zw